The Arab Music Archiving and Research foundation (AMAR), in collaboration with the Sharjah Art Foundation (SAF), presents “Sama‘ ”. “Sama‘ ” is a show that discusses our musical heritage …

  The Arab Music Archiving and Research foundation (AMAR), in collaboration with the Sharjah Art Foundation (SAF), presents “Sama‘ ”. “Sama‘ ” is a show that discusses our musical heritage …

  The Arab Music Archiving and Research foundation (AMAR), in collaboration with the Sharjah Art Foundation (SAF), presents “Sama‘ ”.  “Sama‘ ” is a show that discusses our musical heritage …

    The ḥijāz is the sixth maqām, derived from the bayyātī and the sīkāh: it is a bayyātī with a high third, or a sīkāh whose second and third …

  The ṣabā maqām is ranked as the seventh key and the fourth derived maqām, born from the dūkāh and the ḥijāz. Its original appellation is said to be ṣabāḥ …

    We presented and discussed in our previous episode two types of tafrīd: tafrīd through tarannum and tafrīd on the tawshīḥ’s lyrics. We will start today’s episode with the …

  The tawshīḥ form became associated with the Islamic Sufi and religious inshād (chanting), yet it is not necessarily a religious form, as we will see in today’s episode. Tawshīḥ …

  The Arab Music Archiving and Research foundation (AMAR), in collaboration with the Sharjah Art Foundation (SAF), presents “Sama‘ ”. “Sama‘ ” is a show that discusses our musical heritage …

  The Arab Music Archiving and Research foundation (AMAR), in collaboration with the Sharjah Art Foundation (SAF), presents “Sama‘ ”. “Sama‘ ” is a show that discusses our musical heritage …

  Dawr “Anā fu’ādī yōm ‘ishi’ ” The Arab Music Archiving and Research foundation (AMAR), in collaboration with the Sharjah Art Foundation (SAF), presents “Sama‘ ”. “Sama‘ ” is a …